{"title":"Nash Les Paul Guitars","description":"","products":[{"product_id":"nash-gibson-les-paul","title":"Nash Refinished Gibson Les Paul Guitar, Gold Top, Extra Heavy Aging","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul, it certainly is!\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eThe pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e\u003cbr\u003eThey then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e\u003cbr\u003eThe Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #f03d04;\" color=\"#f03d04\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-297\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 9 lbs 11 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003eColor: Gold Top\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eTop wood: Maple\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: Rosewood Cream Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: 60's Slim\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.695\" (1 11\/16\")\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Tune-O-Matic\u003cbr\u003ePickup Bridge: DiMarzio Air Norton\u003cbr\u003ePickup Neck: DiMarzio Bluesbucker\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eBinding: Top and Neck\u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":12276771649,"sku":"NASHLP-297","price":4995.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_gibson_les_paul_guitar_gold_top_nglp297_1.jpg?v=1738174901"},{"product_id":"nash-refinished-gibson-les-paul-guitar","title":"Nash Refinished Gibson Les Paul Special Guitar","description":"\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul Special... Well, IT IS.\u003c\/b\u003e  This was sent to Bill Nash for a complete make over. \u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, un-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hits the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#f03d04\" style=\"color: #f03d04;\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSerial #: NGLP-295 \/ 01123324\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e \u003cb\u003eWEIGHT: 8 lbs 3 oz\u003c\/b\u003e\u003cbr\u003eColor: Pelham Blue\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: No Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: Vintage 60's\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.69\" \u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Wraparound\u003cbr\u003ePickup Bridge: Lollar P-90\u003cbr\u003ePickup Neck: Lollar P-90\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default","offer_id":19572156865,"sku":"NASH-NGLP-248","price":3875.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_gibson_les_paul_special_pelham_blue_nglp295_1.jpg?v=1769450768"},{"product_id":"nash-refinished-gibson-les-paul-guitar-lemon","title":"Nash Refinished Gibson Les Paul Guitar, Dark Burst","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul, it certainly is!\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eThe pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e\u003cbr\u003eThey then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e\u003cbr\u003eThe Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #f03d04;\" color=\"#f03d04\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-302\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 10 lbs 3 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e Color: Dark Burst\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eTop wood: Maple\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: Rosewood Cream Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: 60's Slim\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.695\" (1 11\/16\")\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Tune-O-Matic\u003cbr\u003ePickup Bridge: DiMarzio Air Norton\u003cbr\u003ePickup Neck: DiMarzio Bluesbucker\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eBinding: Top and Neck\u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":30290251120686,"sku":"NASHLP-289","price":5291.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_gibson_les_paul_guitar_dark_cherry_burst_nglp302_1.jpg?v=1776364124"},{"product_id":"nash-refinished-gibson-sg-guitar-ocean-turquoise","title":"Nash Refinished Gibson SG Guitar - Ocean Turquoise","description":"\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson, it certainly is. It was sent to Bill Nash for a complete makeover.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e First step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e \u003cbr\u003e The finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. \u003cbr\u003e \u003cbr\u003e After curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e \u003cbr\u003e The pickups are replaced with what many of you may balk at as there are so many opinions about Gibson pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile SG setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e \u003cbr\u003e They then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e \u003cbr\u003e The Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e \u003cbr\u003e Also, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e \u003cbr\u003e Gibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e \u003cbr\u003e \u003cspan color=\"#f03d04\" style=\"color: #f03d04;\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGSG-257 \/ 225500069\u003cbr\u003e \u003cb\u003eWeight:\u003c\/b\u003e 7 lbs 1 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e Color: Ocean Turquoise\u003cbr\u003e Body Wood: Mahogany\u003cbr\u003e Top wood: N\/A\u003cbr\u003e Scale Length: 24-3\/4\"\u003cbr\u003e Neck Joint: Set-in\u003cbr\u003e Neck Wood: Mahogany\u003cbr\u003e Fretboard: Rosewood Cream Binding\u003cbr\u003e Frets: Dressed and Leveled by Nash\u003cbr\u003e Neck Shape: 60's\u003cbr\u003e Frets: 22\u003cbr\u003e Nut Width: 1.695\" (1 11\/16\")\u003cbr\u003e Fretboard Radius: 12\"\u003cbr\u003e Bridge: Aged Tune-O-Matic w\/ Maistro Vibrola Tailpiece\u003cbr\u003e Pickup Bridge: DiMarzio Air Norton\u003cbr\u003e Pickup Neck: DiMarzio Bluesbucker\u003cbr\u003e Controls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003e Tuners: Vintage Kluson\u003cbr\u003e Jack: Standard\u003cbr\u003e Hardware: Aged Chrome\u003cbr\u003e Binding: Neck\u003cbr\u003e Finish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":39878739427512,"sku":"NASHSG-257","price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/nash_refiished_gibson_sg_guitar_ocean_turquoise_ngsg257_1.jpg?v=1623703976"},{"product_id":"nash-refinished-gibson-custom-shop-les-paul-guitar-black-beauty","title":"Nash Refinished Gibson Custom Shop Les Paul Custom Guitar, Black Beauty","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Custom Shop Les Paul, it certainly is! It is marked Demo on the back of the Headstock.\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cbr\u003e\u003cbr\u003e First step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e \u003cbr\u003e The finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the black, lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e \u003cbr\u003e After curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e \u003cbr\u003e The pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e \u003cbr\u003e They then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e \u003cbr\u003e The Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e \u003cbr\u003e Also, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e \u003cbr\u003e Gibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"color: #f03d04;\" color=\"#f03d04\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-268 \/ CS100191\u003cbr\u003e \u003cb\u003eWeight:\u003c\/b\u003e 8 lbs 14 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e Color: Black\u003cbr\u003e Body Wood: Mahogany\u003cbr\u003e Top wood: Mahogany\u003cbr\u003e Scale Length: 24-3\/4\"\u003cbr\u003e Neck Joint: Set-in\u003cbr\u003e Neck Wood: Mahogany\u003cbr\u003e Fretboard: Ebony Cream Binding\u003cbr\u003e Frets: Dressed and Leveled by Nash\u003cbr\u003e Neck Shape: 60's \u003cbr\u003e Frets: 22\u003cbr\u003e Nut Width: 1.695\" (1 11\/16\")\u003cbr\u003e Fretboard Radius: 12\"\u003cbr\u003e Bridge: Aged Tune-O-Matic\u003cbr\u003e Pickup Bridge: DiMarzio Air Norton\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePickup Middle: DiMarzio Bluesbucker\u003c\/span\u003e\u003cbr\u003e Pickup Neck: DiMarzio Bluesbucker\u003cbr\u003e Controls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003e Tuners: Vintage Grover\u003cbr\u003e Jack: Standard\u003cbr\u003e Hardware: Aged Gold\u003cbr\u003e Binding: top, back and neck\u003cbr\u003e Finish: Aged Nitrocellulose Lacquer\u003c\/span\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":41448920678584,"sku":"NASHLP-268","price":8960.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/products\/nash_refinished_gibson_custom_shop_les_paul_black_beauty_nglp268_1.jpg?v=1650993509"},{"product_id":"nash-refinished-gibson-les-paul-guitar-goldtop","title":"Nash Refinished Gibson Les Paul Guitar, Gold Top","description":"\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul, it certainly is!\u003c\/b\u003e\u003c\/span\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eThe pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e\u003cbr\u003eThey then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e\u003cbr\u003eThe Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan color=\"#f03d04\" style=\"color: #f03d04;\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-304\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 9 lbs 0 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan face=\"Verdana\" size=\"-1\" style=\"font-family: Verdana;\"\u003e Color: Goldtop\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eTop wood: Maple\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: Rosewood Cream Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: 60's Slim\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.695\" (1 11\/16\")\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Tune-O-Matic\u003cbr\u003ePickup Bridge: DiMarzio Air Norton\u003cbr\u003ePickup Neck: DiMarzio Bluesbucker\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eBinding: Top and Neck\u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":41968494215352,"sku":"NASH-NGLP-290","price":5160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_gibson_les_paul_goldtop_guitar_nglp304_1.jpg?v=1783105745"},{"product_id":"nash-refinished-gibson-les-paul-guitar-cherry-sunburst","title":"Nash Refinished Gibson Les Paul Guitar, Cherry Sunburst","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul, it certainly is!\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eThe pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e\u003cbr\u003eThey then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e\u003cbr\u003eThe Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #f03d04;\" color=\"#f03d04\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-296\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 9 lbs 11 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e Color: Cherry Sunburst\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eTop wood: Maple\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: Rosewood Cream Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: 60's Slim\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.695\" (1 11\/16\")\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Tune-O-Matic\u003cbr\u003ePickup Bridge: DiMarzio Air Norton\u003cbr\u003ePickup Neck: DiMarzio Bluesbucker\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eBinding: Top and Neck\u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":50656876953784,"sku":"NASHLP-296","price":5340.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_gibson_les_paul_cherry_sunburst_nglp296_1.jpg?v=1734385374"},{"product_id":"nash-refinished-gibson-les-paul-guitar-cherry-sunburst-1","title":"Nash Refinished Gibson Les Paul Guitar, Cherry Sunburst","description":"\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cb\u003eIn case you're wondering if this is a real Gibson Les Paul, it certainly is!\u003c\/b\u003e\u003c\/span\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cbr\u003e\u003cbr\u003eFirst step is to completely disassemble and separate the parts that will be aged and re-used, from the parts that we reject and replace. The \"keeper\" parts are then aged.\u003cbr\u003e\u003cbr\u003eThe finish, which is sometimes rather thick, is stripped off down to the bare wood. At this point some get stains applied, if required to get the desired color. Then the guitar gets re-finished in 100% nitrocellulose lacquer, keeping it as thin as possible to enable superior resonance. We do a variety of takes on the lemon, cherry, faded, sun-burst, plain and gold top looks.\u003cbr\u003e\u003cbr\u003eAfter curing, the guitar gets the complete aging treatment and is then frets are re-worked and dressed to Nash's specs, then they are ready for re-assembly.\u003cbr\u003e\u003cbr\u003eThe pickups are replaced with what many of you may balk at as there are so many opinions about Les Paul pickups and tone out there. As always, Bill Nash simply builds a guitar that he would use and leave it at that. So, in his arsenal of personal guitars, his favorite and most versatile LP setup is using a DiMarzio Bluesbucker in the Neck and a DiMarzio Air Norton in the Bridge.\u003cbr\u003e\u003cbr\u003eThey then re-wire the guitar so the pickups breathe better as well as use the neck pickup's tone control as a coil tap for the Bluesbucker, which gives you an amazing strat-like sound from that pickup. Between 1 and 8 on the tone knob it works as a regular tone control, between 9 and 10 it shuts off the second\/dummy coil. This gives you a tap without adding switches of push pull pots.\u003cbr\u003e\u003cbr\u003eThe Air Norton give you bigger output and rich harmonics without going over the top into the tone spectrum of faceless, modern, high output sound that so many specialized humbuckers are susceptible to. These pickups have a lower string pull and a much higher sensitivity to your dynamics and playing style.\u003cbr\u003e\u003cbr\u003eAlso, as many of you may have figured out, the method Gibson uses for wiring the pots is not optimum. The tendency towards the guitar getting muddy or sounding choked when anywhere but \"10\". This gets re-worked when we re-wire.\u003cbr\u003e\u003cbr\u003eGibson installs frets on the fretboard prior to it getting glued to the neck and body. Maybe they do it as it is easier to do it that way, but it can really lead to all sort of fret issues (buzzing, fret outs, high action, dead spots etc). What happens is the neck and body glue, moisture, and all of the underlying structure will shrink, expand and or settle. The fretboard (and frets) will now adjust itself to the changes and you and up with lumpy gravy. The most noticeable and common issue is the hump at about the 14th fret, right where the neck gets really thick before it hit's the body. So what Nash does is now re-work the neck and frets and take care of this to give the player better action, playability, sustain, bending etc.\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #f03d04;\" color=\"#f03d04\"\u003e\u003cb\u003eSpecs:\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e Serial Number:\u003c\/span\u003e NGLP-303\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 9 lbs 9 oz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: Verdana;\" size=\"-1\" face=\"Verdana\"\u003e Color: Sunburst\u003cbr\u003eBody Wood: Mahogany\u003cbr\u003eTop wood: Maple\u003cbr\u003eScale Length: 24-3\/4\"\u003cbr\u003eNeck Joint: Set-in\u003cbr\u003eNeck Wood: Mahogany\u003cbr\u003eFretboard: Rosewood Cream Binding\u003cbr\u003eFrets: Dressed and Leveled by Nash\u003cbr\u003eNeck Shape: 60's Slim\u003cbr\u003eFrets: 22\u003cbr\u003eNut Width: 1.695\" (1 11\/16\")\u003cbr\u003eFretboard Radius: 12\"\u003cbr\u003eBridge: Aged Tune-O-Matic\u003cbr\u003ePickup Bridge: DiMarzio Air Norton\u003cbr\u003ePickup Neck: DiMarzio Bluesbucker\u003cbr\u003eControls: 2 volume, 2 tone with Coil Tap pots, 3-way pickup selector\u003cbr\u003eTuners: Vintage Kluson\u003cbr\u003eJack: Standard\u003cbr\u003eHardware: Aged \u003cbr\u003eBinding: Top and Neck\u003cbr\u003eFinish: Aged Nitrocellulose Lacquer\u003c\/span\u003e\u003c\/p\u003e","brand":"Nash","offers":[{"title":"Default Title","offer_id":50914108440760,"sku":"NASHLP-299","price":5305.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/files\/nash_refinished_les_paul_cherry_burst_nglo303_1.jpg?v=1782936508"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0758\/4003\/collections\/IMG_8622.JPG?v=1726589368","url":"https:\/\/www.humbuckermusic.com\/collections\/nash-les-paul-guitars\/sunburst.oembed","provider":"Humbucker Music","version":"1.0","type":"link"}