TTE's
are shipping after 11 months and $275,000 worth of tooling, sweating
and high hopes. In short, it turned out better than Mike Fuller had
imagined, but they can only make about 5 units per day (x 4 day
work-week) making it many months before you'll see any TTE's sitting
around unspoken for at most stores. Some dealers are going to keep a
unit in-stock for folks to demo, but I understand most the first 400 or
so are spoken for by customers who've been waiting since last year.
Lo-fi
Windows
Media
clip of the TTE in action.
(Pardon the strat's selector-switch failure during the
tune.) It's Mike Fuller playing a stock late 50's
Strat----> TTE--->1967 Deluxe Reverb...No Chorus or other
effects, and only the $300 Canon S230 Digital Camera's built in
Microphone.
Why
a Tape Echo?
If
you ask that then you have never played a healthy Echoplex! No delay
(rackmount or pedal, analog or digital) can replicate the natural,
warm, and shimmery tones of an old Echoplex. Unless you've experienced
it you don't know what you're missing.
Yeah,
but they're noisy and unreliable!
Yes,
they certainly WERE....but the Fulltone TubeTapeEcho
(TTE) is dead-quiet, and they've completely re-vamped
both the electronics, the tape transport path, and even the tape
cartridge itself to the point of near-overkill. Their TTE
produces less noise than most delay pedals.
How
much delay time?
From
a quick slapback to over 1 second. There is a top panel-mounted dual
speed toggle switch to choose between: Hi-Speed
and Lo-Speed operation. Hi-Speed gets you
lots of Highs, less Bass, and a True Repeat without the Pitch variation
of the old Echoplex. Lo-Speed
is waaaaaaaaaaarrrrrrm, lots of Bass, less highs, and a slight "warble"
that imparts a natural chorus effect made popular by people like Eric
Johnson.
Why
tubes?
Because
they sound so good.....the enhancement to your basic tone is something
you will not want to play without once you feel it, and you'll never
again have to worry about signal loss due to long cables and too many
pedals on your pedalboard.
What
makes yours better?
- The
big AC motors of yesteryear were noisy and inefficient so I replaced it
with a servo-controlled hi-torque DC motor. Not only is this more
quiet, but it is more stable and is 1/4 the size, allowing for a
smaller overall housing as well.
- The
TTE uses 2 x 12AX7 tubes (for the Record and Playback sections) with
@200 volts DC and supply the filaments with 12 volts DC to reduce the
hum further. The erase/ Bias section function uses one x 12AU7.
- Handwired
audio path, and world-famous Fulltone Made-in-USA Craftsmanship. No
PCB-mounted Tubes or Jacks in this thing.
- Stereo
outs! Yep, how many times have you longed for a slight slap
or long bounce between 2 amps in the studio or on stage? But this ain't
just stereo....there are 3 stereo modes.
Mode #1: Guitar/Echo on the Left---->Guitar/Echo on the Right
Mode #2: Guitar/Echo Left---> Echo on the right.
Mode #3: Guitar on the left----> Echo on the right amp.
- Better
Tape Heads. The TTE has proprietary (custom-made) Erase, Record, and
Playback heads that not only have better frequency response than the
oldies, but are designed to last well into your retirement.
- Fulltone
ETC-1 Tape cartridge...if you can't find it, make it yerself! The ETC-1
not only is a direct replacement for all Tube and solid state
Echoplexes ever made, but it's loaded it with a vastly superior tape
loop made with polyester backing and a higher bias Tape formulation.
The ETC-1 not only sounds MUCH better, but is not prone to the shedding
of the replacement tape (made by another company) you've been using.
This is a big deal when you've been paying almost $30 for a tape that
only lasts a month, if you're lucky. Who's tape do you think is going
to last longer when you run theirs for 10 minutes and a residue of
brown dust appears all over the heads, rollers, and top of the chassis!
That "build-up" is what creates distance between the tape and tape
heads causing degradation of the echo-repeats and also causing the
pinch-roller to slip against the Capstain, which leads to wildly
out-of-tune echo-repeats. That brown dust accumulating is your tape
(and your echo tone) disintegrating before your very eyes.
- Nickel
Plated Stainless Steel Parts because Mike wants the stuff I
make to outlast him and look great.
- Echo
Tone Control. The TTE has a very full-range/full-frequency Echo
Sound.....but you can alter it to as vintage as you want a Tone control
affecting only the repeats.
- Smaller.
Old Echoplex EP-2 models have that cool little side compartment for
storing stuff. Mike Fuller puts that storage place into a
Heavy duty (wood-reinforced) Cordura Nylon Gig-Bag. (included) This,
along with some downsizing, due in part to the use of a DC motor,
allows for a very compact, stout unit that can sit on your amp, in your
pedalboard, or off to the side without taking up too much precious real
estate.