Most of our customers are well aware of the
various brands of boutique
guitars available, but we still get occasional questions
asking what constitutes a "boutique guitar" and how its associated
price is justified. Seems like reasonable questions to us.
While most guitarists have long accepted boutique amplifiers
into the fold, they often have a hard time letting go of the big name
guitar brands such as Fender, Gibson, etc. We decided this
week we would address some of these concerns and hopefully shed some
light onto what makes these boutique guitars special.
So, bear with us a second as we go back just a
Remember your first guitar? For most of us it
probably was not the instrument of our dreams, but it was a good place
to start and definitely better than no guitar at all.
In some ways it may have been better to start with a bit of a "beater"
as when most of us first started out, not only were we probably lacking
in skill when it came to playing, but we also did not really know what
made one guitar better than the next.
As our playing ability evolved, so did our taste
in instruments. With experience came an appreciation of what really
constitutes a fine instrument.
As a rule of thumb, a boutique guitar company
would be one that does not mass produce instruments in large
quantities. Typically, these builders are making guitars one
at a time, or in very small runs. With this manner of
manufacturing, a premium is placed on attention to detail rather than
cranking out large numbers. In certain instances, for
Guitars, the builder (Chris Kroenlein) handles the
construction of his guitars from the very beginning to the end all by
himself. As well, with boutique guitars you usually end up with higher
end appointments, such as hand-wound pickups, real nitrocellulose
finishes, custom colors, and more.
Many guitar builders, boutique or not, are using
the same types of woods and components for their finished product, but
it takes more than the raw components to make an excellent instrument.
Consider this - A beautiful painting begins with the artist,
his inspiration, and his tools. In their most basic state,
the paint and canvas may not seem like much, but in the hands of the
great artist, you get a lasting creation. Now, if you are an
art enthusiast, we know that you would choose this type of unique work
over the stock painting of a bowl of fruit from Wal-Mart. The
mass-produced, Wal-Mart brand paintings have their place and all, but
it is rare that one of them will be just the painting you have been
Does Boutique Mean Better?
Not necessarily, as a guitarist's preferences are
always subjective, but as another rule of thumb, yes. Don't
get us wrong... We're not attempting to make the point that
boutique guitars are definitely better than a name brand guitar, but we
certainly know a name brand guitar isn't better than boutique simply
based on the name it carries. What we are saying is that the
boutique brands absolutely contain options that should be explored when
you are searching for the right guitar.
So What Else Does Boutique Offer?
There are many factors that go into considering
what guitar is going to fit your playing needs best. Without
getting too technical, we figured it would be a good idea to break down
a few factors that we feel set the boutique brands apart from the rest.
To do this, we've selected a few of our more popular lines
and some of the strongest features about each.
Once a Senior Master Builder for Fender's Custom
Shop, John Suhr, since starting the company that bares his name, has
been been well known for producing instruments that have very few
equals in terms of quality. Combining his experience in
building guitars with his desire to improve the way guitars were made,
he began his company dedicated to offering customers a consistently
impressive instrument. A very common reaction we get from customers who
play a Suhr for the first time is that they are amazed that a guitar
can play seemingly perfect. A large part of the consistency of Suhr
guitars is due to every guitar going through an electronic plekking
machine. By using lasers and other very advanced technology a plek
machine is able to measure and adjust frets to tolerances all but
impossible by hand. The end result is extremely low action without
having to worry about "fret buzz". This type of manufacturing also
produces very consistent instruments from one to the next. Honestly,
every Suhr we have had the pleasure of playing has played as close to
perfect as possible. This dedication to quality has earned Suhr guitars
a huge following and all of us here at the store are definitely huge
Want something unique? This is it!
Trussart guitars stray from the traditional guitar composition more so
than any company we've seen. After first building violins,
James Trussart began building guitars using steel as the main
component. To some this approach may sound crazy however, Trussart's
unique building techniques produce guitars that are
as much art as they are fine instruments. Many of the components are
handmade for each guitar with the tooling marks left on the metal for a
little bit of extra "Mojo" One of our favorite things about Trussarts
is the unique "rust-o-matic" finish which is created using
a proprietary process in which the steel body of the
guitar is exposed to acids. The end result is
a beautiful patina that can vary widely from a slight
darkening to a rust-like effect.
But What About the Sound of a Trussart?
A steel body is such a departure from the typical
way a guitar is made, some may question if it still makes a good
sounding instrument. Actually, it makes an incredible sounding
instrument. The steel body produces slight overtones and resonance that
are typically only found in steel acoustic instruments such as dobros
or resonators. The natural character of the steel body coupled with
premium pickups such as TV Jones produce a tone that is rich and full
of character. This unique approach to building guitars has earned
Trussart support from artists ranging from Keith Richards to Tom
Morello . In all actuality, the list of endorsing
artist may be one of the most impressive in the business. Have
a look: http://www.jamestrussart.com/artists.php
Dennis Fano also began building his guitars based
on his knowledge of instrument repair. After some of his
first models, including the Tonestar and Partridge, he developed the
Alt de Facto line of guitars. While maintaining a classic
vibe, his vintage-styled guitars also feature updated components such
as custom pickups and modern hardware. The popularity of Fano
guitars is not just based on the quality of their construction, but how
cool these things look! Dennis truly embraces the idea of a
guitar playing well and looking good.
A defining attribute of the Fano line is his
ability to distress a guitar with style and realism. You can
pick the level of aged-look when ordering a custom guitar from Fano,
anywhere from light to heavy distressing. Even his heavier
distressing is convincing. The checking on some of the
guitars we have seen is as though a guitar player was in a cramped
basement for band practice and every time he turned to talk to the
drummer, he nailed the instrument against a cymbal stand. Now
that's a believable scar. The body contours where a player
would rest his forearm look like they have seen many sweaty gigs and
late night jams. Even the hardware is aged realistically.
Having a guitar pre-stressed can cut down on the
worry factor regarding the addition of new nicks and dings.
And when done right, a level of distressing on a guitar not
only adds to the aesthetic character, but it allows the guitar to feel
better too. The worst part about a new pair of sneakers is
breaking them into a certain comfort level. There is little
break-in time with a Fano guitar, they have a worn-in feel that
immediately provides a certain level of playing comfort.
Depending on the level of distressing, the neck on a Fano is
typically ultra smooth and fast, while the fretboard maintains great
accuracy and playability.
Beginning in 2001, Bill Nash has built a
reputation for being passionate about his guitars, laboring over the
feel and sound of each one. Nash guitars are replicas of
classic Fender models, but with modern appointments that have improved
upon the concept of some of the actual vintage pieces. We
feel he has done this successfully because of his simple approach.
Nash guitars come with an ash or maple body, typically 1 - 2
pieces. The necks are one piece, and you can choose maple or
rosewood fretboard. He exclusively uses Nitrocellulose for
his finishes. It doesn't get much more basic! Even
though the company has grown over the years, his guitars are still
individually made by hand. While his guitars may not be
flashy or wildly creative, Bill Nash is determined to ensure that each
guitar he makes is going to fit the needs of the player. We
are constantly impressed at the quality of work when a Nash guitar
arrives at the shop.
So how does he actually improve the sound and feel
of a classic guitar and who says there is a need to do so?
Many of us have played vintage Fender pieces, and yes, they
are very impressive, but often they seem limited in their playability.
It's a given that most guys may not want to take their
vintage '57 strat out on the road for a month long tour, which makes
the Nash S-57 a perfect contender for gigging.
But we are talking about more than just leaving
the vintage piece on the wall at home or in the studio. For
instance, let's take a look at the '63 Jazzmaster. Awesome
guitar. Seriously, we love Jazzmasters at Humbucker Music.
But as great as they are, the old Fenders do have their
inconsistencies. Since it was designed for gentle jazz
playing, the electronics, bridge, and tailpiece never really made sense
for a rock n' roll player. When played aggressively, a
vintage Jazzmaster falls out of tune easily and the strings can even
pop out of their saddles. Hey, the element of surprise can be
a nice touch, but this is no fun on stage during a show. And
as far as tone, depending on the settings, the guitar is either super
bassy or super trebly; it can be hard to set your amp to accommodate
both the neck and bridge pickups for a pleasing sound. The
solution? Bill Nash made the JM-63, which has a solid
tune-o-matic style bridge and uses custom-wound Lollar pickups, among
other modern features. The guitar looks and feels like an
old-school Jazzmaster, but has a much better setup and is super easy to
get quality tones out of both pickups. Click here to check
out the guitar.
Some people may still feel that a brand name
guitar is the way to go, and for some maybe it is. Again, in
no way are we seeking to downplay the quality of these brands, all of
us have played these guitars. As stated previously, these
guitars have their place. There is a certain cool factor to
having your foot propped on a monitor wedge while wailing on a Les
Paul. Well, maybe that's not that cool, but you get the idea
about the guitar. With that in mind, we feel that the
boutique guys are doing something unique and exciting for guitar
players; they are taking new and old elements to produce guitars that
are ready to be used and not just placed on display.